Dance Plant Collective’s MEAT raises complex ethical questions, says New Review critic Georgia Mill
Dance
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Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, …
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Powerful, inventive and beautiful, Alison Croggon says that Stephanie Lake’s Colossus is her most exciting …
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Sermsah Suri Bin Saad’s Liyan begins strongly but feels a little rushed, says First Nations …
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“I hope that the people who see this performance don’t think that this is just …
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Text, dance and interpretation: Alison Croggon on Rhiannon Newton’s We Make Each Other Up at …
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Alison Croggon on dance: Jo Lloyd’s Overture and Alison Currie’s Concrete Impermanence
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First Nations Emerging Critic Carissa Lee sees Ballet Preljocaj’s gloriously gothic retelling of Snow White.
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Alison Croggon reviews Justin Shoulder’s visionary spectacle of the post-human, Carrion.
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‘The performers are looking at us, assessing us. Turning back the dominant gaze, drilling into …