Modern Māori Quartet: Two Worlds is a delightful and profoundly moving opening to Big World, …
Music theatre
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The exhilarating Victorian College of the Arts production of Fucking A was a rare chance …
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‘Something crucial is missing’: Robert Reid is uninspired by Opera Australia’s West Side Story
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Teen critic Gully Thompson is disappointed by the stage adaptation of David Walliams’ Billionaire Boy
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‘As a post-apocalyptic imagining of a US “bombed back to the Stone Age” by its …
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‘It’s only February, and I think I’ve already seen the show of the year’: Carissa …
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Funny, angry, anarchic and moving: Alison Croggon reviews Old Stock: A Refugee Love Story
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‘This is how theatre used to be immersive before the fourth wall: a participatory ritual …
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Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says …
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‘A yearning for simpler times, simpler narratives and endless familiarity’: Robert Reid reviews Andrew Lloyd …