‘This most recent work from Marrugeku cements its place as one of Australia’s most exciting …
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‘An assault against the palaces of representation and a disruption of the mediated gaze’: Andrew …
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‘A swirling, restless piece, a busy but visually appealing spectacle that fills the eye’: Andrew …
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Alison Croggon on watching two extraordinary bodies in Narelle Benjamin and Paul White’s Cella
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‘A beautiful opening of the self’: Alison Croggon on Public Actions from Luke George and …
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A purely conceptual dramaturgy lets down the strong work of the performers in The Difficult …
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‘I keep seeing the biological and mechanical, the visceral mechanics of biology, cells and atoms. …
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‘Every Australian should know what the government’s bureaucratic language both conceals and reveals. We should …
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Jane Howard on how Meryl Tankard exposes the unbeautiful pain behind the beauty on stage …
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Funny, painfully honest and unclassifiable: Alison Croggon reviews Brian Lipson and Gideon Obarzanek’s Two Jews walk …