Funny, angry, anarchic and moving: Alison Croggon reviews Old Stock: A Refugee Love Story
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Robert Reid barely survives a ‘howling maelstrom of transgressive audience behaviour’ in The Miss Behave …
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s …
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How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at …
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‘This is how theatre used to be immersive before the fourth wall: a participatory ritual …
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Teen critic Gully Thompson takes a look at Arts Centre Melbourne’s Stories in the Wall, …
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‘Everything ties up beautifully, except it doesn’t quite’: New Review critic Sumudu Samarawickrama on Jane …
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New Review critic Vanessa Giron walks through the dreamscapes of Footscray during its inaugural arts …
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Gothic has strong moments but ultimately feels like a superficial exploration of the genre, says …
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“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director