‘I found myself filled with rage, recalling moments when doctors had told me “mind over …
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Sermsah Suri Bin Saad’s Liyan begins strongly but feels a little rushed, says First Nations …
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First Nations Emerging Critic Carissa Lee goes full glamour for Melbourne Fringe’s Kids in Fashion
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Ich Nibber Dibber, by feminist performers post, is all about women talking about women. Keith …
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Robert Reid is charmed by The Rest is Drag at the Butterfly Club, a melodrama …
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Emily Sheehan’s debut play Hell’s Canyon demonstrates a sure theatrical imagination, says Alison Croggon
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“I hope that the people who see this performance don’t think that this is just …
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Keith Gow reviews The Harp in the South, Kate Mulvany’s epic adaptation of Ruth Park’s …
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Kate Champion’s revival of That Eye, The Sky reveals a promising physical approach to theatrical …
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Text, dance and interpretation: Alison Croggon on Rhiannon Newton’s We Make Each Other Up at …