First Nations Emerging Critic Carissa Lee on Mojo Juju’s Native Tongue, a family saga of self-discovery
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Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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First Nations Emerging Critic Carissa Lee sees Ballet Preljocaj’s gloriously gothic retelling of Snow White.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
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First Nations Emerging Critic Carissa Lee is transported to a cold place in OpticNerve’s Polygraph.
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“Nostalgia for the days when falling in love and starting a band and saying fuck …
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Robert Reid reviews Annie Baker’s The Antipodes and tumbles into a chaotic vision of creation.
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Australian main stages are finally catching up with multiracial casting. It’s about time. Alison Croggon …
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Alison Croggon contemplates the aesthetics of annihilation in Declan Greene’s adaptation of Lars von Trier’s …