“Writing is a kind of magic, and this spell is very particular.” Alison Croggon on …
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In Next Wave’s Canine Choreography, Robert Reid discovers that untrained dogs are just…untrained dogs
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There’s something disturbing about Right Now at Red Stitch, says Robert Reid. Something about how …
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Alison Croggon reviews the hotly anticipated Melbourne production of Angus Cerini’s The Bleeding Tree
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‘The performers are looking at us, assessing us. Turning back the dominant gaze, drilling into …
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Carissa Lee breathes in the empathy that powers Black Birds’ Exhale at Arts House for …
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Alison Croggon wonders why Bliss is the story that needs to be told right now
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For Next Wave, Alison Croggon walks through the anterooms of death in Seer by the …
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Robert Reid finds himself suspended in time in Jean Tong’s new play, Hungry Ghosts
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Choreographer Stephanie Lake goes from strength to strength. Alison Croggon reviews her newest work, Replica.