Holesp@ce, from multi-disciplinary collective STRANGEkit. is a surreal tour through our hyperconnected present, says Robert …
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After its premiere season was cancelled in Melbourne, Sunshine Super Girl – a celebration of …
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Inspired by Georges Rouault’s paintings, Seeing Through Darkness reimagines the disabled body, says Jess Martin
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Clockfire Theatre Company’s film adaptation of its physical theatre work we, the lost company sets …
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Critical Stages’ Come to Where I Am is illuminating the potential of performance online, says …
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‘This is not the comeback we were looking for’: Ben Brooker on STCSA’s Gaslight
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The video performances of Come to Where I Am provide the holiday we all need …
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Traversing multiple platforms, identities and artforms, comedy duo We Are Nemeses are, says Emilie Collyer, …
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A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says …
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STCSA’s Decameron 2.0 opens with a series of monologues exploring the idea of sacrifice. Monique …