‘A triumph: remarkable, stunning, heart breaking’: Robert Reid on Silvia Calderoni’s extraordinary MDLSX
Theatre
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‘A deeply interesting investigation of how the historical perversity of slavery deforms human relationships up …
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‘The warmth in the auditorium was something I’ve only experienced on community nights at blackfella …
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Funny, angry, anarchic and moving: Alison Croggon reviews Old Stock: A Refugee Love Story
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Robert Reid barely survives a ‘howling maelstrom of transgressive audience behaviour’ in The Miss Behave …
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s …
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How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at …
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‘Everything ties up beautifully, except it doesn’t quite’: New Review critic Sumudu Samarawickrama on Jane …
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New Review critic Vanessa Giron walks through the dreamscapes of Footscray during its inaugural arts …
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“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director