‘I found myself filled with rage, recalling moments when doctors had told me “mind over …
Theatre
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Emily Sheehan’s debut play Hell’s Canyon demonstrates a sure theatrical imagination, says Alison Croggon
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Kate Champion’s revival of That Eye, The Sky reveals a promising physical approach to theatrical …
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A show that propagates questions: Alison Croggon on Nicola Gunn’s Working with Children
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what …
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‘How can we fight our colonisers, if we discriminate and exclude as they do?’ First …
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‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of …
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A brilliant performance, a fascinating text, and yet…Robert Reid on Scaramouche Jones