Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
Theatre
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with …
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‘The emptiest experience I’ve had in a theatre this year’: Alison Croggon on Lucas Hnath’s …
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Disarming but troubling, Alison Croggon says Belarus Free Theatre’s Generation Jeans plays on a binary …
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Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
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First Nations Emerging Critic Carissa Lee is transported to a cold place in OpticNerve’s Polygraph.
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“Nostalgia for the days when falling in love and starting a band and saying fuck …
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Robert Reid reviews Annie Baker’s The Antipodes and tumbles into a chaotic vision of creation.