Australian main stages are finally catching up with multiracial casting. It’s about time. Alison Croggon …
Theatre
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Alison Croggon contemplates the aesthetics of annihilation in Declan Greene’s adaptation of Lars von Trier’s …
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Robert Reid on MKA’s A Public Reading of an Unproduced Screenplay about the Death of …
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Alison Croggon finds that Mish Grigor’s The Talk raises confronting questions about consent
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“What will we do while we are still free to do it?” Cassie Tongue on …
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“Does the picture in your head ever go away?” Monique Grbec reviews Jada Albert’s Brothers …
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“White. Noise. So much white on stage. White Walls. White floor. White curtains that don’t …
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Alison Croggon and Robert Reid review Lone, a fascinating one-on-one work from The Rabble and …
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“It made me feel that I was watching some fin de siècle performance, possibly in …
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Alison Croggon teases out some thoughts on Patricia Cornelius’ remarkable adaptation of The House of …