The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we …
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In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of …
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In the second Witness essay on digital life for BLEED 2020, highly-online writer Asher Wolf …
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Disabled actor and theatre maker Kate Hood, blind writer and critic Olivia Muscat and able-bodied …
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Maybe traditional performing arts could learn a lot from YouTube vloggers and online games. For …
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‘A slow, conscious rebuild’: If we’re going to come back after COVID-19, says Isabella Vadiveloo, …
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What is a play? What does it mean to read it? Mark Pritchard takes us …
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Artist duo Make or Break track the emotional fallout after their new work for Next …
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Is inequity threatening the future of the arts? Duncan Graham analyses our two-tier federal funding …
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Grief, longing, absence: Carissa Lee ponders intimacies beyond and through the screen