Ellen Grimshaw’s polyvocal Just Us Girls – What’s a Girl? reminds Robert Reid of Samuel …
contemporary australian performance
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‘What’s the point in being free of chains, if we’re living in a cage?’ Sumudu …
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‘The wit of the performances, both physical and verbal, is riveting’: Alison Croggon on The …
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Funny, painfully honest and unclassifiable: Alison Croggon reviews Brian Lipson and Gideon Obarzanek’s Two Jews walk …
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‘This production is perhaps at its most eloquent when it is at its most inarticulate’: …
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“Grief is love”: First Nations Emerging Critic Carissa Lee ponders funereal realities in The Director
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Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old …
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‘No matter how threatened he may feel by “them”, he is still the one to …
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‘I wept for Bani’s loss, for so many of our mob who are taken too …
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‘I found myself filled with rage, recalling moments when doctors had told me “mind over …
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