Back to Back Theatre’s The Shadow Whose Prey the Hunter Becomes is thick with what …
contemporary australian theatre
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‘It’s a different beast altogether than Who’s Afraid of the Working Class, and not only …
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‘Everything about The Bloom Shed reminds me of the “good” old days of the Indy …
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‘Since this is already two movies, why make a play that seems like a movie?’: …
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Do we really need another play that excuses male violence? After seeing Swansong, Carissa Lee …
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World Problems opens up the political consequences of how we view our personal worlds, says …
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The Last Great Hunt’s first main stage show demonstrates that they deserve to be there. …
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An oratorio of private pain: Alison Croggon reviews Lab Kelpie’s brilliant production of Mary Anne …
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First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse
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‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid …