contemporary australian theatre

‘A Coogi cardigan of vibrant colours swirling in uneven sashes’: New Review critic Monique Grbec …

‘No matter how threatened he may feel by “them”, he is still the one to …

Keith Gow ponders the positives and negatives of Tennessee Williams’ Suddenly Last Summer, in a …

Despite a sumptuous production, Aidan Fennessy’s new play The Architect leaves Alison Croggon with some nagging questions

Emily Sheehan’s debut play Hell’s Canyon demonstrates a sure theatrical imagination, says Alison Croggon

Keith Gow reviews The Harp in the South, Kate Mulvany’s epic adaptation of Ruth Park’s …

Kate Champion’s revival of That Eye, The Sky reveals a promising physical approach to theatrical …

Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what …

Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis

How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with …