Jane Howard on how Meryl Tankard exposes the unbeautiful pain behind the beauty on stage …
dance
-
-
‘Kwongkan squanders its moments of power by reaching for a simplistic idea of protest’: Alison Croggon …
-
‘There was so much joy in that space’: Blind critic Olivia Muscat attends her first …
-
Alison Croggon reviews emerging choreographers Lauren Langlois and Joel Bray in Chunky Move’s Next Move …
-
‘Perhaps we, like Rianto, await our own metamorphoses’: Ben Brooker on Rianto’s Medium at Liveworks …
-
‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet …
-
‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One …
-
The music of Mark Morris’ Layla and Majnun is unmissable, says Alison Croggon. But she’s …
-
‘There is vulnerability in dancing, but joy too: and joy overtakes us’: New Review critic …
-
‘If there is space made for my story, I can make space for yours.’ Emilie …