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If the Australian media understood theatre instead of dissing it, we might have a better chance of seeing our politics clearly. Alison Croggon explains why.

Carissa Lee discovers how some of Australia’s most innovative and internationally recognised theatre companies are making theatre specifically for children

Government arts funding is on the way out, says Robert Reid. And if arts companies are to survive, they have to invite audiences in.

Want to write outside your own culture? Carissa Lee explores why research is so important, and why it’s about a lot more than than heading to your local library
 

At the launch of Witness at La Mama Theatre last weekend, co-founder and editor Robert Reid made a speech. He called it a rant. But really it’s a kind of poem.

First Nations Emerging Critic Carissa Lee looks at why intersectional feminism in Australian Indigenous theatre is profoundly necessary.