If the Australian media understood theatre instead of dissing it, we might have a better chance of seeing our politics clearly. Alison Croggon explains why.
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Carissa Lee discovers how some of Australia’s most innovative and internationally recognised theatre companies are making theatre specifically for children
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Government arts funding is on the way out, says Robert Reid. And if arts companies are to survive, they have to invite audiences in.
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Want to write outside your own culture? Carissa Lee explores why research is so important, and why it’s about a lot more than than heading to your local library
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At the launch of Witness at La Mama Theatre last weekend, co-founder and editor Robert Reid made a speech. He called it a rant. But really it’s a kind of poem.
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First Nations Emerging Critic Carissa Lee looks at why intersectional feminism in Australian Indigenous theatre is profoundly necessary.