What does it mean when theatre changes the rules? Robert Reid dives into the worlds of immersion, participation, performance and play.
immersive theatre
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Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an old tragedy, says First Nations Emerging Critic Carissa Lee
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‘I realise that I don’t believe any more that silence is Australia’s problem, that I think the opposite’: Robert Reid sorts through his dissastisfactions with Belarus Free Theatre’s co-production with Malthouse, Trustees
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In Particle/Wave, a collaboration between artists and scientists, Alison Croggon says that the confounding abstractions of physics are given a human dimension
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what happens when the pandemic hits
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For Next Wave, Alison Croggon walks through the anterooms of death in Seer by the House of Vnholy
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Robert Reid attends the first act of an extraordinary immersive performance of Chekhov’s Uncle Vanya in country Victoria