immersive theatre

A razor-sharp parody of Australian hypocrisy, with dangerously empty moments: Robert Reid on the Batmania bus tour at Melbourne Fringe

Five Short Blasts is a rich invitation into the complex world of Fremantle’s Swan River, says Alison Croggon

What does it mean when theatre changes the rules? Robert Reid dives into the worlds of immersion, participation, performance and play.

Frogman is a fascinating performance that combines virtual reality and live theatre to investigate an old tragedy, says First Nations Emerging Critic Carissa Lee

‘I realise that I don’t believe any more that silence is Australia’s problem, that I think the opposite’: Robert Reid sorts through his dissastisfactions with Belarus Free Theatre’s co-production with Malthouse, Trustees

In Particle/Wave, a collaboration between artists and scientists, Alison Croggon says that the confounding abstractions of physics are given a human dimension

Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what happens when the pandemic hits

For Next Wave, Alison Croggon walks through the anterooms of death in Seer by the House of Vnholy

Robert Reid attends the first act of an extraordinary immersive performance of Chekhov’s Uncle Vanya in country Victoria