‘A deeply interesting investigation of how the historical perversity of slavery deforms human relationships up to the present day’: Alison Croggon reviews Underground Railway Game at the Malthouse
political theatre
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Funny, angry, anarchic and moving: Alison Croggon reviews Old Stock: A Refugee Love Story
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Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global realities, says young critic Gully Thompson
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‘How can we fight our colonisers, if we discriminate and exclude as they do?’ First Nations Emerging Critic Carissa Lee on The Fall: All Rhodes Lead to Decolonisation
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Disarming but troubling, Alison Croggon says Belarus Free Theatre’s Generation Jeans plays on a binary that feels outdated.
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“Think it can’t happen again? It’s already happening.” Robert Reid on two unsettlingly timely productions – Robyn Archer’s Dancing on the Volcano and Michael Gurr’s Crazy Brave