Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old …
review
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An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
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New Review critic Georgia Mill encounters a feminist twist on Shakespeare in Wit Incorporated’s Ophelia …
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‘A yearning for simpler times, simpler narratives and endless familiarity’: Robert Reid reviews Andrew Lloyd …
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‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid …
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First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my …
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‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet …
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‘Beau is a body inhabited by ghosts that in turn summon ghosts’: Robert Reid on …
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‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One …
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Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global …