Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old People Die!
review
-
-
An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
-
New Review critic Georgia Mill encounters a feminist twist on Shakespeare in Wit Incorporated’s Ophelia Thinks Harder
-
‘A yearning for simpler times, simpler narratives and endless familiarity’: Robert Reid reviews Andrew Lloyd Webber’s School of Rock
-
‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid on Triage Live Art Collective’s The Infirmary
-
First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my Suitcase
-
‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet Evening of Dance
-
‘Beau is a body inhabited by ghosts that in turn summon ghosts’: Robert Reid on Dickie Beau’s Re-member Me
-
‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One Infinity at the Malthouse
-
Vox Motus’ Flight is a powerful artwork about child asylum seekers that drives home global realities, says young critic Gully Thompson