Witness Critical Focus: Dance Massive 2019
Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the …
Witness Critical Focus: Dance Massive 2019
Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the …
‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
‘We need more artists like Kelly to ask these complicated questions’: First Nations Emerging Critic …
Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
‘Are you having a lend, Mr P?’ Shock and awe camp from an earlier age: …
Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much …
Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of …
Creating worlds: Philipa Rothfield on Lilian Steiner’s Memoir for Rivers and the Dictator and Rachel …
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