‘It’s a different beast altogether than Who’s Afraid of the Working Class, and not only because all the writers are older’: Alison Croggon on Anthem
Midsumma Festival
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‘I find myself not only questioning the value of these tears, but also their cost. Who pays for these tears?’: Robert Reid on the Little Ones Theatre’s Merciless Gods
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The artifical dilemma of binaries: Robert Reid on Fifteen Minutes from Anywhere’s return season of Cock
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‘A triumph: remarkable, stunning, heart breaking’: Robert Reid on Silvia Calderoni’s extraordinary MDLSX
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‘There was so much joy in that space’: Blind critic Olivia Muscat attends her first ever dance performance, Dancing Qweens
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‘The warmth in the auditorium was something I’ve only experienced on community nights at blackfella shows”: Carissa Lee on The Butch Monologues
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Robert Reid barely survives a ‘howling maelstrom of transgressive audience behaviour’ in The Miss Behave Gameshow
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‘Being part of that audience was electrifying’: Alison Croggon on Mama Alto and Maude Davey’s Gender Euphoria
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How far can comedy go? Carissa Lee ponders Truly Madly Britney’s take on fan culture at Melbourne’s Midsumma festival