‘Are you having a lend, Mr P?’ Shock and awe camp from an earlier age: …
Dance
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Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
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‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much …
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of …
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Creating worlds: Philipa Rothfield on Lilian Steiner’s Memoir for Rivers and the Dictator and Rachel …
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An engrossing exploration: Robert Reid on Alison Currie’s Concrete Impermanence
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann
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An apocalypse that ends with a whimper: Ben Brooker on Hofesh Shechter’s Grand Finale
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‘The space is contested but the dynamics of power are fluid’: Andrew Fuhrmann on Anouk …
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‘A profoundly elegant collaboration’: Alison Croggon on Kristina Chan’s meditation on climate change, A Faint …