‘If everything is meaningful, then nothing is’: Robert Reid on Iain Sinclair’s hallucinatory production of …
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World Problems opens up the political consequences of how we view our personal worlds, says …
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Antony Hamilton’s Universal Estate is a colourful diversion but little more, says Andrew Fuhrmann
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An apocalypse that ends with a whimper: Ben Brooker on Hofesh Shechter’s Grand Finale
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‘The space is contested but the dynamics of power are fluid’: Andrew Fuhrmann on Anouk …
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‘A profoundly elegant collaboration’: Alison Croggon on Kristina Chan’s meditation on climate change, A Faint …
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DubaiKungaMiyalk’s Same but Different foregrounds the vast range of contemporary Indigenous dance, says First Nations …
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‘We all vanish, but the traces of our passing – ephemeral, glittering – remain in …
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‘Meticulously planned and conscientiously put together, it suggests a feeling of completeness and sufficiency’: Andrew …
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‘Anything but tame’: Ben Brooker on Traverse Theatre’s Ulster American