Awkward, pained, anxious and agitated: things don’t go well for Louis. Robert Reid on 80 …
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Alison Croggon on Ridiculusmus’s extraordinary final show, the maddening and deeply moving Die! Die! Die! Old …
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An escape into laughter: First Nations Emerging Critic Carissa Lee reviews Simon Phillips’ Twelfth Night
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‘A rollicking night of fun that keeps the audience effortlessly engaged’: New Review critic Sumudu …
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An oratorio of private pain: Alison Croggon reviews Lab Kelpie’s brilliant production of Mary Anne …
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First Nations Emerging Critic Carissa Lee contemplates her mortality in Bushland
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‘None of this history is simple, just as nothing about gender is simple’: Alison Croggon …
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First Nations Emerging Critic Carissa Lee on The Danger Ensemble’s boundary-pushing The Hamlet Apocalypse
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New Review critic Georgia Mill encounters a feminist twist on Shakespeare in Wit Incorporated’s Ophelia …
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Alison Croggon reviews emerging choreographers Lauren Langlois and Joel Bray in Chunky Move’s Next Move …