A show that propagates questions: Alison Croggon on Nicola Gunn’s Working with Children
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Robert Reid becomes a corporate monster in Isolate and Contain, interactive theatre that models what …
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‘How can we fight our colonisers, if we discriminate and exclude as they do?’ First …
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‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of …
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A brilliant performance, a fascinating text, and yet…Robert Reid on Scaramouche Jones
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Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with …
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‘The emptiest experience I’ve had in a theatre this year’: Alison Croggon on Lucas Hnath’s …
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Alison Croggon on dance: Jo Lloyd’s Overture and Alison Currie’s Concrete Impermanence
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Disarming but troubling, Alison Croggon says Belarus Free Theatre’s Generation Jeans plays on a binary …