Inspired by Georges Rouault’s paintings, Seeing Through Darkness reimagines the disabled body, says Jess Martin
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Clockfire Theatre Company’s film adaptation of its physical theatre work we, the lost company sets …
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The Rob Guest Endowment debacle is a missed opportunity for change, says Sonya Suares
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Critical Stages’ Come to Where I Am is illuminating the potential of performance online, says …
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The proposed closure of Monash University’s CTP is a devastating blow to Australian theatre culture, …
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Under the Melbourne lockdown, Kimberley Twiner and her housemates have discovered a new audience – …
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‘This is not the comeback we were looking for’: Ben Brooker on STCSA’s Gaslight
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The video performances of Come to Where I Am provide the holiday we all need …
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Hong Kong pro-democracy activist Annika Yan recalls how a co-production of The Winter’s Tale with …