The present crisis in Australian theatre offers a unique opportunity. Robert Reid explains why we …
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Traversing multiple platforms, identities and artforms, comedy duo We Are Nemeses are, says Emilie Collyer, …
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A satire of pandemic hoarding, Caca-Capitalismo is not only a delight – Olivia Muscat says …
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STCSA’s Decameron 2.0 opens with a series of monologues exploring the idea of sacrifice. Monique …
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If some real thought were applied to the MTC’s audio treatment of The Turn of …
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Caitlin Beresford Ord embodies a forgotten Australian vaudeville star in Black Swan’s The Perfect Boy. …
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In the third Witness essay for BLEED 2020, Alison Croggon explores the ongoing evolution of …
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‘Weird shit par excellence’: Harriet Cunningham on Rắn Cạp Đuôi’s performance Re:Sounding
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Can we really describe dance? Olivia Muscat reviews Blindly Following Matisse, a work created from …