Robert Reid reviews Emily Collyer’s Contest, an epic examination of relationships between women
contemporary Australian plays
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Alison Croggon contemplates the aesthetics of annihilation in Declan Greene’s adaptation of Lars von Trier’s …
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“Think it can’t happen again? It’s already happening.” Robert Reid on two unsettlingly timely productions …
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“What will we do while we are still free to do it?” Cassie Tongue on …
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“Does the picture in your head ever go away?” Monique Grbec reviews Jada Albert’s Brothers …
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“White. Noise. So much white on stage. White Walls. White floor. White curtains that don’t …
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Alison Croggon teases out some thoughts on Patricia Cornelius’ remarkable adaptation of The House of …
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Alison Croggon reviews the hotly anticipated Melbourne production of Angus Cerini’s The Bleeding Tree