‘The dances communicate an understated sensuality and tenderness’: Andrew Fuhrmann on Russell Dumas’ retrospective show, Cultural Residues 2020
dance massive
-
-
Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the text, says Robert Reid
-
‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
-
Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
-
‘We need more artists like Kelly to ask these complicated questions’: First Nations Emerging Critic Jacob Boehme on Karul Projects’ CO_EX-EN
-
Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
-
‘Are you having a lend, Mr P?’ Shock and awe camp from an earlier age: First Nations Emerging Critic Jacob Boehme on Phillip Adams BalletLab’s Glory
-
Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
-
‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much intellectual labour from its audience, says Andrew Fuhrmann
-
Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of colonisation