‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of …
review
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Robert Reid on Scott Gooding’s genre take on toxic masculinity in Robert In Crisis
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Disarming but troubling, Alison Croggon says Belarus Free Theatre’s Generation Jeans plays on a binary …
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First Nations Emerging Critic Carissa Lee is transported to a cold place in OpticNerve’s Polygraph.
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“Nostalgia for the days when falling in love and starting a band and saying fuck …
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Robert Reid reviews Annie Baker’s The Antipodes and tumbles into a chaotic vision of creation.
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Australian main stages are finally catching up with multiracial casting. It’s about time. Alison Croggon …
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“Think it can’t happen again? It’s already happening.” Robert Reid on two unsettlingly timely productions …
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The future is female: Robert Reid reviews Maude and Anni Davey’s retro-futuristic Brave World at …
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Alison Croggon reviews Justin Shoulder’s visionary spectacle of the post-human, Carrion.