‘A yearning for simpler times, simpler narratives and endless familiarity’: Robert Reid reviews Andrew Lloyd …
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‘The no-space, the no-time, the un-now, of waiting to die, is hauntingly sketched’: Robert Reid …
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‘A Coogi cardigan of vibrant colours swirling in uneven sashes’: New Review critic Monique Grbec …
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‘I was desperately waiting for something to throw me off, to make me sit up …
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‘No matter how threatened he may feel by “them”, he is still the one to …
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‘Perhaps we, like Rianto, await our own metamorphoses’: Ben Brooker on Rianto’s Medium at Liveworks …
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First Nations Emerging Critic Carissa Lee is charmed by Barking Gecko’s A Ghost in my …
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‘Sheer joyousness and delight’: Alison Croggon on the austere brilliance of William Forsythe’s A Quiet …
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‘Beau is a body inhabited by ghosts that in turn summon ghosts’: Robert Reid on …
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‘I know I felt purely happy’: Alison Croggon on the beauty of the participatory dance One …