Antony Hamilton’s Token Armies is ambitious and challenging, but it ultimately leaves Georgia Mill wanting …
australian contemporary dance
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Alison Croggon on Branch Nebula’s High Performance Packing Tape and Yang Liping’s Rite of Spring …
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‘The dances communicate an understated sensuality and tenderness’: Andrew Fuhrmann on Russell Dumas’ retrospective show, …
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Force Majeure’s You Animal, You is full of dramaturgical silences that tear holes in the …
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‘A signal arising out of noise’: Robert Reid on Alice Will Caroline’s Lady Example
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Andrew Fuhrmann on the intense minimalism of Myriam Gourfink and Hellen Sky’s Quake
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Monumental and mythic: Philipa Rothfield on Jill Orr’s Dark Night
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Exploring the similarities and differences between percussion and dance: Alison Croggon on Recital
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‘It sounds just like a hangover feels’: Atlanta Eke’s The Tennis Piece demands too much …
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Charming and heartbreaking: Robert Reid on Biladurang, Joel Bray’s performance about the cultural damage of …