‘None of this history is simple, just as nothing about gender is simple’: Alison Croggon …
contemporary Australian plays
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‘The worst thing about a tragicomedy is the tragedy’: New Review critic Monique Grbec on …
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La Boite’s Prize Fighter packs a mighty emotional punch, says Robert Reid
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Despite a sumptuous production, Aidan Fennessy’s new play The Architect leaves Alison Croggon with some nagging questions
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‘As good a production of this play as you could want to see’: Ben Brooker …
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Write Loud and Clear about What Hurts is a smartly-written play that dives into the …
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How do we talk about apocalypse? Robert Reid considers two recent shows that grapple with …
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Charles Manson as the usher of 21st century psychosis: Robert Reid reviews Sneakyville.
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Robert Reid sees the Bloomshed’s The Nose, a contemporary take on Nikolai Gogol’s classic story
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On the pain of women: First Nations Emerging Critic Carissa Lee explores how Australian plays …