“Gloria is television theatre, for a television generation.” Alison Croggon reviews Gloria, Branden Jacobs-Jenkins’ play …
review
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“What will we do while we are still free to do it?” Cassie Tongue on …
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Robert Reid sees My Sister Feather at La Mama and discovers a masterfully crafted production
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Carissa Lee reflects on Bell Shakespeare’s recent intimate production of Antony and Cleopatra
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Carissa Lee reviews UK artist Selina Thompson’s salt, a story of colonisation, racism and hope
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“Writing is a kind of magic, and this spell is very particular.” Alison Croggon on …
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In Next Wave’s Canine Choreography, Robert Reid discovers that untrained dogs are just…untrained dogs
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There’s something disturbing about Right Now at Red Stitch, says Robert Reid. Something about how …
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Alison Croggon reviews the hotly anticipated Melbourne production of Angus Cerini’s The Bleeding Tree
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‘The performers are looking at us, assessing us. Turning back the dominant gaze, drilling into …