Dance Plant Collective’s MEAT raises complex ethical questions, says New Review critic Georgia Mill
dance
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Phillip Adams’ Paradise, a dance for young performers, is a fascinating exploration of growing up, …
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Powerful, inventive and beautiful, Alison Croggon says that Stephanie Lake’s Colossus is her most exciting …
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Text, dance and interpretation: Alison Croggon on Rhiannon Newton’s We Make Each Other Up at …
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“The distortions of Forsythe’s choreography express something of contemporary fracture, the contemporary trauma of meaning’…
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Alison Croggon on dance: Jo Lloyd’s Overture and Alison Currie’s Concrete Impermanence
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First Nations Emerging Critic Carissa Lee sees Ballet Preljocaj’s gloriously gothic retelling of Snow White.
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Jane Howard on Akram Khan’s new work Xenos, which played at the Adelaide Festival at …
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Robert Reid reviews the Keir Choreographic Award: Yoni, Stop-Go and Public Action