‘What’s the point in being free of chains, if we’re living in a cage?’ Sumudu Samarawickrama on Leah Shelton’s exhilarating attack on patriarchy, Bitch on Heat
feminist theatre
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‘None of this history is simple, just as nothing about gender is simple’: Alison Croggon on Rachel Perks’ and Bridget Balodis’ queer witches in Moral Panic
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Ascent is an ambitious work that examines the physical anxieties of women, says Robert Reid
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The rights of women to bodily autonomy are non-negotiable. So are the rights of people with disabilities. Danica Kohn on the Melbourne Fringe show 19 Weeks
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To have a child or not to have a child? New Review critic Monique Grbec on Eggsistentialism
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‘Riveting, real and unreal, like a nightmare’: Alison Croggon on Anne-Louise Sarks’ crystalline production of Sarah Kane’s Blasted
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On the pain of women: First Nations Emerging Critic Carissa Lee explores how Australian plays portray violence against women.
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‘To take a breath is complex. To be outside power and yet still speak is phenomenal.’ Cassie Tongue on Sydney Chamber Opera’s extraordinary new work, The Howling Girls.
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Alison Croggon reviews Romeo is Not the Only Fruit and Fleabag at the Melbourne International Comedy Festival
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